The collection, representing meticulous digitization

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As our global society grows ever more connected, it can be easy to assume that all of human history is just one click away. Yet language barriers and physical access still present major obstacles to deeper knowledge and understanding of other cultures, even on the world wide web. That is why the Internet Archive is thrilled to announce a new partnership with the University of Tokyo General Library. Spearheaded by Masaya Nakatake as a member of the UTokyo Academic Archives Project Office, the Internet Archive partnership provides expanded access and a digital backup for some of the library’s most precious artifacts.


Since June 2020, our Collections team has worked in tandem with library staff to ingest thousands of digital files from the General Library’s servers, mapping the metadata for over 4,000 priceless scrolls, texts, and papers. efforts by Japanese historians and scholars, showcases hundreds of years of rich Japanese history expressed through prose, poetry, and artwork.

Among the highlights of the holdings are manuscripts and special database annotated books from the personal collection of the novelist Mori early manuscript of the Tale of Genji, and a unique collection of Chinese legal records from the Ming Dynasty.


Most of the works are written in Japanese, but some of them include illustrations that can be appreciated by anyone now. A search through the collection for 地震 (jishin, “earthquake”), for example, yields a fascinating set of depictions of earthquakes and their impact in past centuries.

In one satirical illustration, thought to date from shortly after the 1855 Edo earthquake, courtesans and others from the demimonde, who suffered greatly in the disaster, are shown beating the giant catfish that was believed to cause earthquakes. The men in the upper left-hand corner represent the construction trades; they are trying to stop the attack on the fish, as rebuilding from earthquakes was a profitable business for them.

Oreste ed Elettra
Seismic destruction is expressed more horrifically in ukiyo-e prints of the burning of Edo (Tokyo) after that same 1855 earthquake and of buildings collapsing during the 1891 Mino-Owari earthquake. They are a sobering reminder of the role that natural disasters have played in Japanese life.

Other highlights are high-resolution images from the Kamei Collection of original etchings from Opere di Giovanni Battista Piranesi, Francesco Piranesi e d’altri, originally published by Firmin Didot Freres in Paris between 1835 and 1839.

We hope this partnership and collection will expand access to history and culture from Japan and spur a new generation of usage and scholarship.