A "daily illustrated" with thirty or so photos for each issue. Normal, since "his photographers are everywhere" as the advert of the time said. A bit like those cell phones, always there to capture god knows what. So, if we add "L'Illustration" and "La vie illustrée", we can say that at the dawn of the 1920s, photojournalism was born. Albert Londres himself was equipped with a small camera.
"Terre d'ébène", his work published in 1929 on the more venezuela whatsapp number data 5 million than dubious practices of the French colonial world, has its counterpart in images, more than 200 photos taken by the reporter. Precisely, some made the front page of "l'Excelsior". And when he was violently attacked by the fierce defenders of the French Empire, Londres replied that he was serene, having all the proof of what he was saying.
The image testifies In any case, the image had acquired its force of truth, testimony from the field. Crime or war, it was demanded by the greatest number. For the press bosses, and the journalists, it was necessary to be where the drama was happening, to capture the scene and send it for rapid publication. Competition and speed against a tragic backdrop.