There is no room at ARD, nor at RTL. And this has severely damaged his market value, which he drove to gigantic heights over the years with lucrative advertising and production contracts. Fourthly, the continuity factor is misjudged in Germany. In the USA, David Letterman has been on the same channel and in the same time slot with his late night show for thirty years now.
But Germany's late-night luminary Harald Schmidt south korea rcs data believed that so-called "creative break" and then pick up where he left off when he left Sat . But his comeback at ARD was a flop, and his return to Sat.1, the channel where he had earned millions and which he had denounced as "lower-class television" after his departure, was a real tragedy. The viewers were simply no longer willing to follow this last turn, even though Harald Schmidt was back in form.
And with that, the chapter of late night on German television seems to be definitely over due to disregard for the continuity rule. Fifth: It is very difficult to establish a new format in an increasingly diverse world of images. Only when all the ingredients are really right,you prevent a total crash and a quick cancellation. Olli Pocher also experienced this with his Late Night on Sat.1, although he was considered a great talent who would become the standard-bearer of the next generation thanks to his wit and spontaneity.